With Big Joanie
- Jun 29, 2022
- Buy Tickets
1.This event is for fans only and these special conditions are in place to ensure that tickets are purchased for personal use only and are not resold for profit and/or through unauthorised resale sites such as Viagogo / Stubhub.
2. A strict limit of 4 tickets per person (and per household) per event applies. Any tickets purchased over this limit may be cancelled and invalidated (in which case you will be refunded).
3. Tickets must not be purchased with the intention of reselling them for commercial purposes and/or profit
4.Your full name will appear on your ticket(s) and/or be tied to the account you used to purchase tickets
5. If you purchase more than one ticket, your guest(s) must be with you at the time of entry or will be refused entry.
6. If you can no longer use your tickets and are not eligible for an exchange or refund, you may only resell them through authorised resale sites.
7. You may not resell or offer to resell tickets for this event through any unauthorised resale site or for commercial purposes and/or profit.
8. Any tickets purchased, resold or offered for resale in breach of these special conditions may be cancelled and invalidated (in which case you will be refunded).
9.In the event of any inconsistency between these special conditions and any other applicable terms and conditions, these special conditions will apply.
Hailed in a 4-star Rolling Stone review as "a mutant strain of retro pop steeped in New York lore,” Daddy’s Home, the sixth album from Annie Clark a/k/a St. Vincent, is the latest facet of an ever-evolving artist widely regarded as the most consistently innovative and intriguing presence in modern music. In the winter of 2019, as her 2017 masterpiece MASSEDUCTION's title track won the GRAMMY for Best Rock Song and the album won Best Recording Package, St. Vincent’s father was released from prison. She began writing the songs that would become Daddy’s Home, closing the loop on a journey that began with his incarceration in 2010, and ultimately led her back to the vinyl her dad introduced her to during her childhood. The records she has probably listened to more than any others. Music made in sepia-toned downtown New York from 1971-1975.Gritty.Grimy. Sleazy.The first full broadcast from St. Vincent’s synthesis of this came in the form of “Pay Your Way In Pain” and “The Melting Of The Sun” played live before a crowd for the first time during her recent return to Saturday Night Live—highlighting Clark’s ability to shred both vocally and on the debut appearance of the newest model of her signature Ernie Ball Music Man guitar. In the weeks since, the grit of1970s vinyl would meet the grain of 1970s celluloid with “Down,” the infectious third and final offering in advance of Daddy’s Home’s May 14 release. The reaction to the full album was immediate and ecstatic, with raves including "In an industry crowded with artists who claim singularity, there is perhaps no musician more deserving of the label than St. Vincent” (INTERVIEW), “St. Vincent’s sound is more electric than ever” (LOS ANGELES), "St. Vincent has gotten to the point where we can’t look away, because there’s just nobody in indie-pop quite like Annie Clark” (PASTE) and so many more. St. Vincent is now taking 2021’s most talked-about record on the road—don’t miss out on the invitation to spend a night with Candy Darling in the world of Daddy’s Home.
- Jun 29, 2022 - 07:00 PM
Please note that there may be additional measures in place to ensure the safety of staff and guests in relation to COVID-19 which may vary according to health and safety and government advice at the time of the Event (and your breach of any of these may lead to you being refused Entry and/or ejected from the Event).
* Service and handling fees are added to the price of each ticket